The CP4500 is a Stereo bus compressor based on the design that was originally used in a legendary British console, adapted to the '500' format of API*. It is famous for adding punch and glue to the mixes.
The CP5176 is a FET compressor based on the design that was originally used in the 1176 compressor, which has been adapted to the '500' format of API*.
The CP554 is a transformer coupled diode bridge compressor based on the design of legendary British consoles, adapted to the '500' format.
It is the ticket to immediate access to the classic, harmonics-rich sound of the seventies.
The EQ573-II is an equalizer based on the design that was originally used in the Neve 1073 and 1084 modules, that has been adapted to the '500' format of API*.
The EQP501 is a passive equalizer based on the classic PULTEC EQP 1A, adapted to the '500' format of API*.
It is made of an all passive section followed by a gain make up stage based on a Discrete Op-Amp (DOA).
The LA502 is a soft knee, electro-optical compressor based on the LA2A/LA3A design, which we have adapted to the '500' series format.
The MU524 is a compressor where the gain variation is provided by varying the mu (gain) of a special tube.
With the help of two transformers it provides a smooth and natural soft knee compression which can travel into land of distortion when driven hard.
The TS500 Tape Simulator is the successor or the Stereo Tape Simulator (but mono). It has been adapted to the API* 500 format with a number of enhancements.
